stop in the middle of the stage in the joy of the last work ever sung with the script on the lips as a sign of paper known as many centuries, rehearse their lines before de que se levante el telón de su último soneto.
"Aún mantengo el recuerdo, el hacer click para entrar donde todos son desconocidos, sin embargo, nunca imaginé que el de ahora es el que más ignoro. Te mantienes estático, no eres ignorado, eres familiar, eras familiar, cuando aún no creías saber quién eras y no anticipabas tu muerte prematura, cuando te mantenías fuerte y tus convicciones desplazaban a las mías, cuando el corazón era el delator, cuando me elevabas para luego soltarme una y otra vez para sentir que nunca de tan alto había caído..."
(Justo en ese instante aparece el personaje principal, toma la obra, ni siquiera es suya, pero la toma y se dispone to act, you act it out. The idolatry
thousand verses sung in no time dream finally found its audience, it is recognized adored, is known in the magnificence.
dazzle lights, the scenery is colorful, the players know their parliaments as blood flowed from)
"My funeral had been premature, he never remembered the mask of death I saw the night before I met you, when I still devour my eyes, when not yet felt lost breath, when he still had the power to manage the words (I swear they were my words), when I could baste it and was not required to be diluted in them, no longer evading, it haunted me ... "
(The play reaches its climax at this point the viewer keeps teeth clenched and fists closed. The lights turn red and the music rushes)
"Is that your empty eyes gaze following with the darker pendulum, your ironic smile throwing its echoes in the bottom of a well, your simple words of narrator involved in opium dreams (You're such a good actor!) I moved to the land of dreams, where I was sleeping, and did not see that you were only one among the crowd. Did you sense the worst hangover, which occurs when one wakes up next to a stranger? "
(The red lights go down, you start elucidate the mystery, they begin to solve the constraints of function)
"I tried in vain to make an imitation of you project yourself in vain, in vain to become the most gold beetle and make you the most extraordinary stories, elevate above the waves that brought me your manuscript as if it came in a bottle.
I wanted to give you an identity, dignificarte, but do not know, short of time.
(I did not want to be hurtful, I did not say what they really missed you was weight) "
(The star of the show remains on stage, standing, waiting for the starting role, but nobody comes and is suspended and returns the next day with more enthusiasm and be exhausted, because it will not reach anyone. Neither
next, or the subsequent ...
He realizes that the function was trying to show is no longer good enough and that their role is becoming less credible.
goes home and writes his best work, the setup is great, and the first monologue.
But not mount anything, no work, no stage, no lights, no nothing, because he realizes that his role and has no sense, because their only audience is dead, and not a suicide or murder, or natural death. Just realize that he is dead because the actor has been sent to the worst of punishments: When forgetting)
"What now? Now I hold in my breast, sir, your name stays in my nipples and my spitting, biting my saliva drag your vertigo, their silence does not hinder, not mistaken, sir, your silence relieved.
Now note that has always been a shadow, a projection of a thousand fantasies, the oval portrait of a being that grows when you feed your ego, just a photographer who can not see beyond an image, your own image.
The stab hurts the most is that given in the back.
I'm sorry, really sorry, but you can not charge me with his implacable presence ... "
(An actor dies, like so many thousands of actors die each year, has served the sentence, Vendetta is no more than the forgotten, even hatred, or bitterness, only oblivion, no one in the room, never was.
Lower the curtain. Just the function)
Tuesday, June 27, 2006
Brownie With Caramel In Middle
Potato Chip Gift Basket
Epilogue
Ernesto Cardenal said
This will be my revenge, "That one day get your hands
a book by a famous poet,
and read these lines the author wrote for you
And you do not know "
But you see as Bolaño was right, women need to hear very carefully in moments of passion, we like to talk and be heard, because if we do not go killer killer of dreams and idols and able to everything and more.
The Vendetta is more than simple revenge, vendetta is the blood payment transverse to time, is the reckoning of all the pains and my vendetta rhetoric used as a sword and shield as armor word and verse as poison mortal, it is in the rhetoric which we move, where they are born and die our visceral passions.
Where is the threat poetic prose, poetry punishment and play the final script of your design more painful: Oblivion.
My vendetta is Having A literary material used ("Suppose you need to write, otherwise I miss you") you became an experiment of my creation, long, tedious but fruitful Having A kept believing otherwise.
I correct it to Cardinal:
"My revenge is to have you here reading these lines I wrote for you and that you know what"
I'm charged.
You can go to hell.
Tuesday, June 20, 2006
Slimy Rottweiler Poop
Laugh, laugh
because you allow it because they're dead yet
because it is the grotesque sound of your laughter
the last song that you keep the pot in your madness.
Te permitiré la risa porque intuyo tu soledad como te intuyo la piel
porque tu risa no es más que la falla en el tiempo de una voluntad devastada
porque en la risa es donde sabes expresar mejor que nadie
la estupidez de los versos que ni tú mismo comprendes.
Te permito reír mientras te dure el placer
de verte circuncidado por el silencio
para mirarte a los ojos mientras te ríes
para soñarte por última vez con tus manos recorriéndome
y recordarlo asqueada.
Te permitiré la risa como último recuerdo de tu sarcasmo fingido
apenas sostenido en sus muletas
porque ya no te bebo
porque ya no te resultan las letras escarbando
my senses because I want to see the face
facing the fierceness of my face.
let you laugh and far from the pleasures and the desires holy devotees
to see me dying to dance to the strains of your laughter
where I can build you and reconstruct you
coserte and descoserte
and disarm and arm yourself with trepanar my nails all the verses premonitory
to see your face in years and all the panic anxiety
league with
appeal because it is not you who wrote verses
because they seem to dance alone
when they have taken the form of my lips.
laughs last
care and no longer your word that accelerates my movements but the older
slogans of all my evil demons
that want nothing more than to see your black throat
fragmented by time and sad
petrified sitting on the bust from where ever because they do not depart
because you do not know because you try
and you do not.
Laugh
although you're dead to me that I care, I let you laugh now
because
today and you can not do it again
Nevermore
Tuesday, June 13, 2006
Leather Couch & Cold Weather
That all We killer whores, shivering with cold monkeys contemplating the horizon from a sick tree, princesses looking in the dark, crying, searching the words that we can never say ... (or as we have said we have no more than the unbearable whistle ringing in the ears) ... that the misunderstanding we live and plan our life cycles, at least is what I said Bolan ... and it was so wrong.
all have at heart the complex and perverse need to destroy our own tales of enchanted forests, bite them to pieces, tear the last bit to see covered in blood every treasured moment of magic that can defile no fault to the messianic candor of first kisses and trample the scraps of every moment saturated with inspiration, do not cheat us.
Let us not seek, not a disservice to our idolatry and our sweat, we can change into wolves hungry for love, sex or even blood to complete dismembering each orgasmic moaning the words that nobody wanted (or dared) to listen because it was sweeter the pain of ingrown toenails in the back that infamous pleasure as being contaminated.
princesses that we are not alone, we also satisfy the sweet taste of the most bitter revenge, we can look into the eyes not yet open and inventory every inch of skin known and skipping to know everything that burns inside, between the limits, venturing desire (real or imagined) of each existence washed off by the sun.
And finally, for a murderous goddess, nothing smells worse than chewing the visceral pleasure of passion that is born and dies in rhetoric, singing drunk, filthy, perverse and insatiable, the rhetoric of mourning, the sonnet dead conjugate verse swollen lips nor anything smells and tastes sweeter than a hot and makeup of oblivion awaited revenge.
"Nemo me impune lacessit"
(Poe)